Where do Blog Posts Come From?

I’m always curious how others come up with blog post, so I figured I’d share my approach after 11 years of blogging.

Being a writer of any sort means paying attention, and blogging has kept me on a constant, quiet lookout for moments of insight: a topic I find myself or my team struggling through, a conversation or article that touches on a bigger theme.

These sorts of moments happen unpredictably in all sorts of places. When they do, I jot them down. If I’m in front of my laptop, I’ll write a headline or a few sentences in Word. More likely, I use my phone to send myself a short email with the blog title in the subject line and a few notes. These emails are sketchy at best, and they’re occasionally frustratingly indecipherable. But they often are enough to go on as long as I get back to them quickly.

I go back to these sketches of ideas on the train to or from work. I dedicate 10-15 minutes to the first draft of each post. If things are going well, that’s enough time for a decent rough draft. Or, I discover that the idea isn’t a post after all, and I let it go.

I save these as drafts on my laptop, and at any given moment I have 10-20 drafts at various stages of doneness. I label them as drafts so they’re easy to find, and I’ll return to them from time to time. All of this happens in Microsoft Word.

The morning before my publish deadline, I read through near-finished drafts and find a post that feels right at that moment. This is a time of polishing. I cut as many unnecessary words as possible, especially qualifiers. I push for specificity in my language and try to breathe life into the points I’m making (not “trying to make,” which I just edited out) with specific examples. Ideally, I proofread, though I should do a better job of that by reading the whole post out loud.

Letting posts sit, as drafts, for a few days or weeks is the biggest change I’ve made to my approach since I started blogging. I made the shift when I shifted to fewer posts (1-2 / week) than I used to publish (3-4 /week). I’ve no doubt that posts are stronger thanks to this change, but ideally I wouldn’t have traded quantity for quality.

Nearly everything I’m describing happens on the train I take to and from work. I do my best writing first thing in the morning, usually at the beginning of the week when my head is clear. I mostly edit at night.

Having a place—the train—where I do the writing helps: whether it’s sitting in the same chair or the same train, putting yourself in the same location to write seems required for almost all writers. As Stephen King famously said, “This isn’t the Ouija board or the spirit-world we’re talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you’re going to be every day from nine ’til noon. Or seven ’til three. If he does know, I assure you that sooner or later he’ll start showing up.” Exactly.

My last step is to put the posts into WordPress, do a final reread and make last tweaks, and I hit the ‘Schedule’ button.

The best part is, eleven years and more than 1,100 posts in, when I hit that ‘Schedule’ button I still have absolutely no ideas which posts will have a big impact and which ones won’t. That’s all part of the process, one that’s equal parts faith and commitment.

(As a bonus, if you’re specifically interested in becoming a blogger, this post has helped a lot of people: What I Talk About When I Talk About Blogging.)

The Blog With No Pictures

My kids have a fabulous book called The Book With No Pictures by BJ Novak.

As you can imagine, it doesn’t have any pictures.

Its premise is that the rules of grown-up/child book-reading state that parents must read whatever is written in a book, no matter how outlandish:

This got me thinking about expectations, and when we meet them and when we don’t.

Take this blog: it also has no pictures. It also has a certain tone, norms, style. There are types of posts that I write and types that I don’t. Ways that I speak and ways that I don’t.

I’ve been thinking about what I choose to write, and how that interacts with the expectations I’ve set for you as a reader. There’s an unspoken contract here, one that I am keeping by writing the way that I do, and that you are keeping by reading, by applying ideas that you find helpful, and by sharing posts with others.

Mostly it feels right to write into the expectations I’ve created: I am sure I wouldn’t show up with nearly as much care or attention were it not for the pull of meeting (and hopefully exceeding) your expectations.

On the other hand, those expectations also set limits: things I might want to write but don’t, ways I might want to speak but don’t, topics I might want to cover but don’t.

This means that I’m making a choice when I come across an idea, or even a sentence, that falls outside of the lines. And it’s possible that I’m making the wrong choice, since those lines are both real and imaginary, a projection of my and your understanding of where they are drawn.

I could, instead, ignore them.

I could choose to write GLuURR-GA-wocko ma GRUMPH-a-doo, or I could shout out with anger, or I could choose to share a deep, real fear.

The thing I need to keep noticing, each time I sit down in front of a blank page, is that I am dancing with freedom and with expectations. I owe it to myself and to you to remember that it is indeed a dance.

You’re dancing too. Dancing with the expectations of those around you—whether friends, family, colleagues or customers—dancing with the lines you feel you’ve drawn, dancing with the lines you feel they’ve drawn.

Most of the time those lines are in the right place, they are useful.

Except when they are not.

You have more freedom than you think you do.

Without that freedom, a Book With No Pictures would never have been written.

 

Like a Match to our Fears

I spent some time over the holidays cleaning up several things on my blog. It has a spruced-up look and URL, it’s easier to subscribe, and I migrated subscribers to Feedblitz.

I mostly did this so it would be easier for you to share posts and for new readers to follow the blog (follow here).

One of the additional benefits is much better statistics: open rates, bounce rates, new subscribers, unsubscribes. Though “benefits” may not be the right word.

Ever since migrating, I have been getting a steady drip of emails letting me know about people unsubscribing from my blog.

At least that’s how it feels.

The truth is, I migrated a few thousand people and fewer than 20 have unsubscribed. But, like rubbernecking, I can’t seem to look away. The unsubscribes cry out, “Look at me! Think about what I mean! Contemplate why this person no longer wants to read!”

It’s hard to remember that Laura wrote me a nice note. So did Amy and Jamie. Arnie and Cornelius left comments on a recent post. And, and, and… If you listened to the conversation in my head, you’d think that all that good stuff never happened.

It’s a rule of thumb for the workplace and the classroom that people should hear four instances of positive reinforcement for every instance of corrective or negative feedback (though for marriages the ratio seems to be 5 to 1).

The question is, why? Why does the good stuff fade into the background and the negatives stand out in such stark relief?

The answer begins with noticing that it doesn’t happen everywhere: for things that we don’t care much about (“you’re terrible at ice skating!”), and for things that we’re deeply confident about, we’re mostly immune to this nonsense.

But in that wide area in the middle—the things that we care about, but where we’re not fully confident—we’re wide open to fear amplification.

Unfortunately, this “middle area” is really important. It encompasses all creative endeavors, since we are never fully confident our art. And it thrives in any area where we’re trying to grow, because, by definition, these are the areas in which we are both less skilled and less confident.

The fear waits like dry kindling ready to be set ablaze.

This kindling allows me to construct an amazing, elaborate tower of meaning around something as simple as one person in one place unsubscribing. It is the same thing that takes us, when we make a suggestion in a meeting that’s shot down, from the words we hear to, “he thinks I do terrible work, always. So he must think I’m terrible, always.”

As we interact with those around us, our job is to be especially deliberate about how we interact with colleagues–especially when we talk about their art and support their growth edges. Unless we work in organizations with cultures of consistently direct, tough feedback that people are accustomed to, we will stamp out personal growth if we trample, Godzilla-like, over areas where colleagues already are holding armfuls of doubt and fear.

And, for ourselves, we want to keep asking:

How much kindling are we carrying around? And is it really helping us?

Do we want to be the kinds of people who are ready to be set aflame, our fears blazing around us?

Do those flames make us more more connected? More powerful? More brave?

Do they make us more effective? More willing and able to do what needs to be done?

People will always carry matches, often unintentionally. Part of our job is to learn to douse all the fuel around ourselves so we’re not so easily taken off our game.

Oh, and I also changed my settings so I only get that unsubscribe email once a week.

 

I have nothing to say

Most of the time, most ideas worth writing about don’t show up fully formed at the precise moment we stare at a blank sheet of paper.

Indeed, if we expect all of our useful, original ideas to show up only after we settle into the chair, we are setting ourselves up for a lot of frustration.

The ideas come at other moments.  Our job is to remain curious and attentive, so that we stop for long enough to notice our glimpses of passionate insight, of outraged exasperation or of simple, concise observation.

When these moments occur, we must hold on to them for long enough to write down the feelings we have, the core of the insight, and a few scratches about how the argument will flow.

Once that’s done, the writing boils down to the relatively simpler act of putting words around the thoughts so others can see them too.

What I Talk About When I Talk About Blogging

I’ve had a lot of conversations in the past few months that start with people saying, “I really have been meaning to write or blog, but I just haven’t done it. Any advice on how to start and stick with it?”

Here are 12 things that I’ve learned since I started blogging in 2008:

  1. A structured time to write. Stephen King is famous for saying that step one in writing is to put your “butt in the chair.” Not glamorous, but true. 99% of my blog posts have been written on the train that I take home from work. And most of them come out very quickly – in 10-15 minutes. But I’ve discovered that when I don’t take the train, I don’t write blog posts. That’s when I write.
  2. Make a commitment. Commit to how much you’re going to publish / write / post. I’d suggest you aim high because you’ll probably do less than you intended (because that’s life). And “publish” because I think creating finished work (to your own standard) is important, because it lets you practice sharing complete thoughts that engage other people as readers.
  3. Set it up so someone is reading. I’ve been blogging for more than six years now and I’ve written nearly 1,000 posts. I absolutely, positively, would have given up after six months if I didn’t have readers. I’ve grown to feel that my readers and I have an unspoken contract: they commit to taking the time to read, think and (hopefully) act on the things I write that they find useful; I commit to keep on writing. And occasionally, they comment or reach out to say how a post has helped them or moved them or taught them something. That feels great. [If you’re writing for yourself or in a journal, this “someone” could be a colleague, a boss, a friend you respect, and you could commit to sharing 5 things you’ve written every month. My hunch is that if it’s just for you, you’re writing a personal journal, which is also important work but is something different.]
  4. Ignore your inner critic. We ALL think that everything we write isn’t good enough (not good enough for us, and definitely not good enough to have others read it). The irony is that the more you let yourself censor your own work, the less of your own work you’ll produce, and the less your work will improve.
  5. Remember that it’s much more important to write a lot than it is to write well. This is basically the same point as the prior point, written differently. When I was posting nearly every day, it helped me tremendously to know that if a post wasn’t good enough, I’d have another shot at it tomorrow. It’s helped me even more to go back to posts I’ve published and try to remember which ones I thought were the “good” and the “bad” ones.
  6. Remove the “am I saying something new?” filter. Because no, you’re not saying something completely new and that’s OK. The point is that it’s YOU saying it, and we care about what you think and how you make us feel when we interact with your idea and your emotions.
  7. Ignore the outer critic. Yes, sometime between here and there people you care a lot about will tell you to stop or to do things differently. Listen to them, contemplate what they say, but don’t commit to doing what they tell you to do. Any creative, self-expressive process is inherently delicate, a flame that’s easy to snuff out. Protect it.
  8. Keep it short. I’m highly partial to 200-500 word blog posts. Every time I write something longer than that it’s because I couldn’t make it shorter. Yes you might have a more technical or expository topic than I do, but by and large if you want people to interact with your ideas you need to present them as simply as possible, with as clear language as possible, in as few words as possible. Use this work to practice not hiding behind elaborate, obtuse language.
  9. Have a strong purpose, loosely held. Especially if you’re trying shift from being someone who doesn’t write to someone who does, I think it’s helpful to have a specific intention plus the freedom to write about what you want to write about. When I started this blog I thought it would just be about fundraising, but I didn’t have enough posts in me on that narrow topic, and the whole construct felt constraining. What I’ve found since then is that through the process of writing this blog I’ve figured out what this blog is about, and I think my readers get it too.
  10. Discomfort should happen. The reason you’re doing this is to grow. Growth comes through doing things you haven’t done before, aren’t comfortable doing, and aren’t good at today. If it feels hard, risky, or awkward, you’re doing the right things.
  11. Do it because it matters. There should be some deeper purpose, which isn’t the same as an external objective (as in, “this is how I’ll land a book deal” or “this will help me when I’m looking for my next job.”) I started blogging because I wanted to understand the job I was doing – fundraising – and what it meant, and could mean, to me and to the nonprofit sector. Over time that focus deepened into wanting to understand, in a much deeper way, people who give to charity, which led to an exploration of generosity, which in turn opened up a lot of avenues of further exploration. Ultimately, this blog has become a vehicle for understanding my own purpose and for sharing things that I’m learning or being challenged by along the way.
  12. Someday you won’t be able to live without it. My blogging continues to evolve, and its purpose and continues to shift. It changes as I do. But it is now part of who I am and what I do, and I hope never to lose that.

For all of you out there reading, thank you. I wouldn’t be here without you.

For all of you out there thinking about writing, I hope this helps.

[title apologies: Hakuri Murakami]

Stand out

I recently had the chance to review 30 resumes from job applicants from top business schools.  The level of accomplishment in this group is just astounding.  Best grades, best jobs, speak multiple languages, have done things like volunteering in Nepal before hopping to a top job at Bain or McKinsey or co-founding an Argentine startup or, yes, working at Goldman Sachs.  And all of them have hobbies like “member of the Olympic archery team” or “have climbed three of the Seven Summits.”

What amazed me, beyond how wildly accomplished this group was, was that one out of the 30 had an online presence of any significance.  One.

One person whose body of work was readily available to see and explore.  One person whose mind and thought process and passions were easy to investigate.  One person who had more than a LinkedIn or About.me page.  One person who had a readily-available portfolio of work that gives real insight into who she is.

If this top .0001 percent in terms of accomplishment is missing this opportunity, that means big opportunity for you.  You have a huge opportunity to stand out even among (especially among?) this crowd.

That happens by putting yourself out there and showing the world your best thinking, your best ideas, your best work, in a public place that they can find and explore.  Or, more likely (since you’re just getting started), you’ll start by showing the world the work you can do today, with the knowledge that when you keep on doing it, in a few months or a few years down the road, it will be great work.

What better way could there be to stand out from the crowd?

Better yet, you’ll be amazed at how you learn and grow through the process of pushing your own thinking in this way.

1 to 100

There’s a perpetual mystique about blogging.  How do you do it?  Where do the ideas come from?  How do you find the time?  How do you keep it up?  The notion underlying the question is that sharing one’s thoughts regularly and publically about issues that matter (to you, and to your tribe) is something most of us don’t know how to do or to sustain.

1 to 100_curious georgeSo here’s some data:  In the last 18 months, I’ve written about 200 blog posts, which sounds pretty respectable.  It’s almost enough content to fill up a book.    By way of comparison, I’ve also written 18,574 emails (so sayeth Outlook – so those are just work emails).  Even as a reasonably frequent blogger, for each blog post I write I shoot out almost 100 emails.

In 18 months, I’ve written down and shared an idea, a thought, an opinion 18,574 times.  18,574 times I’ve had a point to make, and even though most of the time the point is short or simple, I have an enormous amount of daily practice in taking my ideas, writing them down, and sharing them with others whose opinion I hope to shape in some way.   My blogging pales in comparison to this, both in terms of volume and time required.  I’m sure it’s the same for you.

If you don’t want to blog (or micro-blog, or whatever) that’s fine, don’t blog. But don’t tell yourself that you don’t know how to do it, because you do.

And if you’re on the fence, maybe it’s time to stop telling yourself how this is something above or beyond you – because it isn’t – and just start.

You, online

Guess which online information about you affects peoples’ opinion of you?

Everything.

Every last photo that pops up (sure, on your Facebook page, but also your Twitter feed and even the picture of you on Skype).  Each snippet is a little piece of you.

Yes we’d love to hear from you every day through your blog, which you can set up in about three minutes.  And yes it’s a good thing to have some personality.

If that feels like too much, why not put up a homepage (like Frank’s or James’)?  You could spend one day (one day!) doing this and making it better than 99% of what’s out there.  If a properly hosted page seems like too much, how about an About.me profile.  And yes, you should be on LinkedIn too.

And since you have at least one friend who has a nice camera and likes to take pictures, ask her to take headshots of you on a simple white background and buy her dinner to thank her.  Heck, invite some friends over.  Best $50 you’ve ever spent (OK maybe more if drinks are involved).

You don’t have forever to stand out from the crowd, but right now it’s still pretty easy to distinguish yourself online.  What are you waiting for?

Hurry.

What I didn’t need to worry about

Last Saturday morning I had the chance to give the opening keynote address at Unite for Sight’s Global Health and Innovation Conference at Yale University.  The energy in this conference is just amazing, and my hat goes off to Jennifer Staple-Clark and her team who pull off a 2,000+ person conference every year with a full-time staff of just three people (that’s right, three).

The fun part for me was that nearly every part of my talk came from ideas I had developed on this blog.  The talk focused on innovation, where it comes from, and how to design and organize around it – with a particular focus on the structural elements in the nonprofit sector that orient us to extremely long cycle times and a massive “build” phase in the buld-measure-learn cycle.

Put another way, the focal point of the talk was the lean nonprofit, with context provided by the observation that my toothbrush was good enough and by the notion of the adjacent possible, themes I’ve explored in-depth in posts on this blog.

This served as an important reminder that one of the great benefits of blogging is the practice of taking ideas further and deeper, forcing me to mine my understanding of concepts that are influencing my thinking and to take the extra step of relating these ideas to my own work.  I literally don’t know where the ideas would come from if not for the discipline of writing this blog.

So thank you for showing up to read every day.  I couldn’t do it without you.

The one thing I shouldn’t have spent any energy on (though I certainly did): the size of the crowd.  The notion of speaking in front of a full house at New Haven’s Shubert Theater created a mantra of “2,000 people!” that I couldn’t keep from running through my head in the lead-up to my talk.  Of course the reality is that whether it’s 50 people or 2,000, it’s still my job to stand up there and share what I’m going to share, tell the stories I’m going to tell  – the size of the audience makes no difference whatsoever. (In fact, with the lighting I could barely see past the third row, so it’s as if the audience wasn’t even there in the first place.)

Just a lesson in how the mind tricks us into focusing attention on all the wrong stuff sometimes, especially when something is brand new and when fear seems like an appropriate response.

It never is.

Excited for 2012

Happy New Year.  I’m looking forward to 2012.  2011 was many things – exciting, turbulent, at times overwhelming – and I feel like we all need a little dust-settling as we roll up our sleeves and head into this new year.  It feels like it’s going to be a good one, even with all the uncertainty spinning around us.

I took a week off at the end of the year and the short break from regular blogging was a chance to think about why people read blogs and, as a corollary, how we blog.

There are a bunch of basic reasons people are reading your blog: to stay up to speed on their industry (or an industry they’d like to be part of); to find interesting content that they otherwise wouldn’t stumble across; to be entertained, to get useful tips of one sort or another.

But I think most folks want more than that, and if they don’t get it you’re going to lose them over time.  They want to hear your voice, hear what you have to say that only you can say.  Hear something that they wouldn’t hear anywhere else – something that inspires them, challenges them, pushes their thinking.  Something that sharpens their focus, or even changes their prism altogether.

Not a how-to book, a call to arms.

The thing is, I don’t know how to be inspiring every day, and you probably don’t either – even the notion of trying to do that seems like a fabulous way to create writers block (bloggers block?). But I do know how to show up every day, to say something that I think is relevant and about which I have a unique perspective.

And every so often, when everything goes right, something exceptional comes out.  I don’t know how or when and I’m not even sure I’ll always agree with my readers about what is or isn’t exceptional.  But I do know that the only way it can happen is if I keep on showing up – knowing that some days I connect, some days I miss, and once in a while something great happens.

So here’s to another year of swinging for the fences.  Thanks for taking this ride with me, and I wish you and yours a great 2012.